One of the first stages of gathering feedback from my
audience was by using Questionpro.com which is a website that allows you to
create a survey, which included questions that would help me to start forming
my projects. I included questions such as ‘how old are you’ in order to
understand who my target audience are and the age restriction appropriate for
my film. We also asked them questions in relation to the generic slasher films,
such as ‘what’s your favourite slasher film’, which enabled us to understand
the level of gore and violent activity our audience was comfortable with. We
decided to stick with the age restriction of 15 due majority of our audiences
being a younger demographic, although they did like the idea of gore and
violence, so instead we have catered to this need by using Fangoria to promote our film, which
is seen as a gore magazine. Alternative questions such as what weapon would
they prefer and specific horror locations they liked best helped me make a
decision throughout the planning of my trailer.
During the research process for my poster and magazine I
decided to use a qualitative method so I was able to gain a further understanding
of the fact and opinions of my intentional target audience. I printed a variety
of designs for my poster and magazine in which I had presented to a focus
group. For my poster, this had received a popular response of the idea of
intertexual reference to The Ring, which seemed to have amused my demographic.
Very few responded positively to alternative designs such as an image of the
teenagers in the forest, as some stated this was too ‘plain’. Whereas for my
magazine, majority of the responses that I had received from the focus group
was in favour of Fangoria templates, as they liked the idea of gory images.
They also discussed together the idea of Little White Lies being hard to
identify a horror image, and therefore was their least favourite. The group as
a team also liked the idea of our typography after describing the reasons why
we decided to design it in the way we did, which was to represent pieces of
ripped flesh, which had the colours of red and white, with joining drips of
blood at the end of the lettering. This therefore helped me make my decision
for my magazine and poster and also allows me to create a mode of address to
suit my target audience.
After successfully completing the trailer, I shared this
with a focus group in which they all seemed to have enjoyed. After we had
gathered the group to watch the trailer, we then asked them to fill out a
questionnaire that we had created beforehand of 5 questions, and this could
help us evaluate our work. Before they answered the questions, we had explained
briefly to the group what our project was about and why we would need honest
opinions to see where we went wrong and how we could improve.
Here are the 5 questions that we asked the group: -
Here are the 5 questions that we asked the group: -
- What elements of this trailer bear resemblance or how does it differ from other trailers you've seen? (Preferably within the Horror genre)
- Using the trailer you've viewed, what exactly is the premise of The Return?
- What segments or parts of ‘The Return’ trailer did you find most scary?
- What were the worst and best elements of the trailer?
- How could we improve these negative elements?
Our first questions expresses what
the audience thinks our trailer shares resemblance to or how does it differs
from other trailers. The audience were able to recognise that our trailer
contained intertexual reference to the films in particular ‘The Ring’ and ‘The
Grudge’, which both express female villains. Some people amongst the group
referred to specific scenes that remind them of films they have seen. For
instance a member of the focus group referred to our car scene which reminded
them of the grudge, where others would suggest the trailer in general bear
resemblance of ‘The Orphan’, which isn’t portrayed as a slasher film, although
falls under the horror category. In relation to this, the audience also noticed
slasher film usual codes and conventions of the villain being portrayed from a
male’s perspective, and therefore were able to acknowledge that we had
challenged this convention by using a female for our villain. Some members of
the group also acknowledged the typical group of teenage friends that are
conventionally seen within a slasher film. Other members of the group also
recognised the sound that was being used and saw this as conventional and
recognised this non-diegetic music such as the tension building music, and the
heartbeat which was apparent throughout the trailer. This shows that the
audience were able to understand conventional aspects of a slasher film
trailer.
Our next question is asking
whether the group understood the narrative within the trailer. We can see that
majority of the audience were able to understand that main aspects such as ‘A
girl went missing and returns to seek revenge’ which is what the narrative is
primarily about. Although, some of the members recognised that the villain was
in fact the adopted sister of the final girl, and her twin sister. This was
only recognised by a few, which tells us we could have improved on this
particular scene. Others recognised the conventional way a villain seeks
revenge which is by killing off the characters one by one, which the audience
were able to recognise due to our use of shots and montage editing which
therefore created meaning for the audience. The high toned music were also able
to allow the audience to know when a character is about to be killed, which
automatically reinforces audience positioning as the audience get put in the
‘shoes’ of the villain which reinforces Roland Barthes
semantic code which
expresses the idea of the audience viewing the narrative from the viewpoint of
characters, and therefore are placed in a manipulative position which makes
them feel uncomfortable, and helpless towards the characters, and this can help
feeling can help the audience understand when a character is about to die. An
example of this is expressed in our trailer where the camera is shot hand held
to portray a point of view affect, which is racing towards a character behind
their back, in which they are unaware of. This therefore reinforces the fact
the audience were able to understand the narrative from the use of montage
editing which created meaning, the use of sound and camera shots that we had
used.
Our third question asked the
audience what they found the scariest about the trailer. We receive a mixed variety
of responses to this question, as some of the group suggested the fast pace
edits which are seen as a convention in trailers frightened them the most
throughout the trailer as this created tension amongst the audience, leaving
them in suspense as to what is going to happen next, and this can lead to the
audience wanting to watch the film. There is also the idea along these fast
paced shots that the music played alongside rises at the same time of tension
that is building amongst the audience, which can create further fear amongst
the audience. However some referred to the slow pace edits that created
tension, for instance a scene where our villain is walking down the road was
one of the scenes a member of the group found the most scariest, and this was due
to the scene being ‘quite chilling’ which shows our effective use of shots
which were used in order to make the audience feel fearful.
The fourth question that was asked
referred to what the audience found to be their worst and best
opinions on the
trailer. Firstly, majority of the characters seemed to have enjoyed the high
angled shots of the forest scenes which expressed the fear from the teenagers,
which the audience understood the meaning of, reinforcing our effective use of
camera shots. The audience believed this shot reinforces the characters fears
as they are running through the forest not knowing where they are going,
reinforcing their isolation. Others enjoyed the point of view shots from the
party scenes which expresses the characters living their daily lives,
reinforcing the ideology of teenage life style in which the audience felt they
could relate to, hence why they enjoyed this scene. Alternative answered show
that they enjoyed the sound of screams from characters which they believed to be
effective use of sound that created tension to round off the trailer. This
therefore shows that the audience were able to identify our effective uses of
conventional aspects to form a formulaic shape of a traditional slasher film
trailer. Although, there were also aspects from the trailer that the group
found to be the worst. For instance some of the group did not like the idea of
the villains identity being shown too early in the trailer, and that the
identity should have been kept unknown until the release of the film as this
could create more tension as to what the villain looks like. Some also disliked
the fact they didn’t understand the plot of certain scenes, such as the
equilibrium at the beginning of the trailer which some of the group did not understand
how this related to the narrative, and this therefore tells us we should have
made this clear this is the characters enjoying the normality of their lives
before being disrupted by the villain, which is portrayed in Todorovs theory
that expresses the 5 stages visible in slasher films. This therefore tells us
as a group what we could have improved on.
Our last question therefore is
based on what we could have done to improve our trailer, which gave the
audience the chance to answer honestly. A lot of the responses referred to the
‘irrelevant scenes’ that they did not understand how the related to the
narrative, and therefore their suggestions refer to introducing each scene more
clear so that the audience are able to identify the meaning of each scene. This
is particularly aimed at the party scene at the beginning of the trailer, in
which some of the group did not understand this was expressing a typical
teenager lifestyle. Others recommended that we kept the villains identity
hidden until further down in the trailer, as this would have kept the audience
in suspense, questioning the audience.
Other responses suggested the acting could have been better,
although
they are not professional actors and therefore could not produce high quality
acting. Here is how we presented our final trailer to the focus group.
suggesting it was really ‘scary'. There were also a majority amount of other responses of people who
Furthermore, in order to gain a wider response I decided to construct an structured interview with a friend who also answered my pre set 5 questions after viewing the trailer. I believe that by having a variety of different types of feedback will offer me a wide range of different opinions, which could offer me a great range of feedback. Before conducting the interview I had made it clear to the interviewee that I needed honest feedback in order to help evaluate my work. I also alerted the interviewee that the interview was a part of my media coursework that was going to be filmed to be a part as my audience feedback. She clearly answered all 5 questions judged by her own opinions which were helpful as she expressed positive aspects of the trailer and drawbacks such as to make improvements on the props used in the trailer. She also understood the conventions seen through a slasher film as she understood and the resemblance of the The Return through films such as The Ring and The Grudge, which is what we ended to make reference to. The interviewee also understood the narrative being portrayed throughout the trailer, and this was recognisable through the use of dialogue, camera, sound and mise en scene. This therefore helps evaluate my trailer from a variety of responses such as through focus groups and through individual interviews which enables me to gain a wider result. Altogether, my audience has clearly shown their understanding to a formulaic conventional slasher trailer as they were able to recognise the conventions used.
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